"A House of Dynamite" artisans relied on Volker Bertelmann's score to create tension and anxiety in Netflix's thriller.

Guillermo del Toro’s ending to his Frankenstein makes a change from the book that was very personal for the director.

Writer-director Angela Summereder discusses the hybrid approach of her movie, screening at Austria's Viennale this week, and ...

Director Aly Muritiba and star and producer Luca Castellani join THR contributing editor Stacey Wilson Hunt for a panel ...

Byun Sung-hyun discusses Netflix's 'Good News,' a black comedy based on a real 1970s hijacking, and his fourth collaboration ...

I’ve got a fun supernatural horror short film for you to watch today titled Koreatown Ghost Story, which is based on a Korean ...

The ‘Taxi Driver’ screenwriter turned social media icon on his viral film criticism, Pauline Kael’s rock-bottom moment, and ...

In Colleen Hoover’s 2019 novel, the story ends quietly and emotionally. After finding out about the affair between her ...

Indie producers explain the cost-prohibitive nature of Los Angeles for making small movies, and what's being done to make things better.

Jesse Plemons has a plea: Pause Netflix and go see “Bugonia” in the theater.

“It: Welcome to Derry,” HBO’s chilling new prequel to Andy Muschietti’s blockbuster “It” films, premieres Sunday night, ...

Watching Michael Myers stalk and slash his way through the streets of Haddonfield is always a scary good time, but there's ...