Paul Ashton gives a summary of the Script Room stats includng where submissions got to in the process – and a few thoughts about the process as extrapolated from the stats. If you submitted to Script ...

With all the debate over scripts versus storyboards, animation writer Steve Marmel (Fairly Oddparents, Danny Phantom, et al) has jumped into the fray, and put his money where his mouth is. Marmel, on ...

Script Consultant Philip Shelley explains why spec scripts are fundamental to the industry and shares some great advice. As the dates for our next annual Open Call will be announced very soon, we ...

And then came D-day – or rather, S-day. The sifting. Our team of hardy, battle-worn readers gathered together in a quiet part of a little known BBC building, and readied themselves for two and a half ...

Some people have always wondered why a broadcaster would accept stage plays when it has no intention (or even means) of producing them. Once in a blue moon we receive a stage play that would work for ...